четверг, 15 марта 2012 г.

Michael Sneed

OBAMARAMA . . .

Sneed hears former U.S. Commerce Secretary Bill Daley isdefinitely on board the Barack Obama presidential bandwagon as asenior adviser . . . but is denying rumors that he will run thepotential campaign.

It should come as no surprise that Daley is in Sen. Obama'scorner rather than that of likely candidate Sen. Hillary RodhamClinton (D-N.Y.), even though Clinton was raised in Park Ridge.

- Background: It's no secret Bill Daley was hoping to be namedsecretary of transportation by President Bill Clinton in 1992. Then-Veep Al Gore even pushed him for the job. When he didn't get thepost, his brother Mayor Daley was furious. Although Bill Daley …

Court: No Nudes in Daytona

DAYTONA BEACH, Fla. - Erotic dancers in adult bars in most parts of this Spring Break city are going to have to wear as much clothing as most people on the beach.

A federal appeals court upheld municipal zoning and nudity ordinances on Thursday after the city and Lollipops Gentlemen's Club made their cases before the court on March 23.

"The bottom line is the 11th Circuit Court (of Appeals) upheld the city's authority to enforce its zoning regulations and public nudity ordinance with regard to the adult entertainment establishments," City Attorney Bob Brown said.

In other words, dancers at adult clubs that serve liquor are required to wear conservative bikinis. …

Scoreless Crosby being frustrated again by Wings

A frustrated Sidney Crosby took a whack at Kirk Maltby's skate as Game 1 ended, tired of what he called the nonstop chirping by the Red Wings forward. So far, it might be Crosby's best shot of the Stanley Cup finals.

Blanketed by Henrik Zetterberg whenever he steps on the ice, Crosby has gone from being the best player in the playoffs to being a concern to the Pittsburgh Penguins because of his lack of offense.

He's not playing badly, but he's not playing like Sidney Crosby.

The Penguins' 3-1 loss on Sunday night put them down 2-0 to Detroit for the second successive finals, and Crosby's inability to duplicate his previously dominating play _ 14 …

Butterfly Hens for Easy Elegance

For a change of pace, serve butterflied roasted Cornish hensinstead of the more popular chicken or turkey. Much easier to eat,butterflied Cornish hens cook in half the time it takes to roast awhole hen.

I serve Cornish hens more often now that I've learned how easythey are to "butterfly." Simply remove the backbone by cutting downeach side of the hen with kitchen shears. Save the backbones formaking soup. Spread the hens, like a butterfly with skin side up, ona work surface. Flatten by pressing down on the breast bone. Thehens are now ready to season and marinate.

At home, I roast them in a hot oven, but they are also goodbroiled or grilled. If grilling, secure …

среда, 14 марта 2012 г.

Bristol-Myers posts 33 percent profit jump in 1Q

TRENTON, New Jersey (AP) — Drugmaker Bristol-Myers Squibb Co. said Thursday its first-quarter profit jumped 33 percent, due to higher sales, a payment from a lawsuit and a charge a year earlier.

Bristol-Myers, which sells blockbuster blood thinner Plavix and bipolar disorder treatment Abilify, said its net income was $986 million, or 57 cents per share. That's up from $743 million, or 43 cents per share, in 2010's first quarter.

Excluding several small accounting charges and gains, net income was $1 billion, or 58 cents per share.

Revenue rose 4 percent to $5.01 billion, from $4.81 billion a year ago, on higher sales of blockbuster blood thinner Plavix and several other …

Republican presidential candidate John McCain chats it up with TV host Letterman

Republican presidential nominee-to-be John McCain sparred with TV talk show host David Letterman during a taping of his "Late Show."

Letterman joked during his monologue that the senator from Arizona reminded him of "the guy at the hardware store who makes the keys" and of "the guy who can't stop talking about how well his tomatoes are doing."

After he added that McCain looked like "the guy who points out the spots they missed at the car wash," the senator appeared on stage.

"You think that stuff's pretty funny, don't you?" McCain asked.

He tossed at Letterman: "Well, you look like …

Late bloomers will brighten fall garden

Every summer, right around the middle of August, I begin to hatemy garden.

It's overgrown. The weeds have taken over. Everything needs to bedeadheaded, and even the trees look shaggy and in need of a trim. Ifind that as the blooms disappear, so does my enthusiasm formaintaining the garden.

As I'm forced to walk around and prune, weed and yank, it slowlydawns on me that it's not as bad as I make it out to be. True, it'snot as pretty as it was in the glorious months of May and June, butmany of the perennials are just about to burst into bloom and put ona fall show I can enjoy until the first frost.

There are lots of these fall-blooming perennials available now …

GELATO IS SUMMER GOODNESS

The latest darling of trendy dessert and close cousin to traditional ice cream, gelato is an Italian specialty that has taken American taste buds by storm. Boise now has four locations with distinctive flavors and styles, three of which are owned and operated by the husband and wife team of Scott and Joy Caisse.

Their now flourishing business began with a failed espresso dream and two weeks of indulgence in Italy. Scott wanted to expand his seasonal coffee shop from Bogus Basin to Boise, but good help was hard to find, and the gelato he ate while on vacation inspired a new endeavor.

"I was tired of having to go all the way to Vegas for it, and I figured it would be easier to …

Djokovic puts Nadal's ascent on hold

Rafael Nadal doesn't mind the wait.

Weary from two months of nonstop winning, Nadal got run around the court Saturday and, ultimately, bounced from the Cincinnati Masters one step shy of another title match. Instead, Novak Djokovic reached the final with a 6-1, 7-5 victory that only delayed the inevitable atop the world rankings.

In two weeks, the 22-year-old Spaniard automatically will move up a spot to No. 1.

"I feel happy because for sure to be No. 1 is hard work from a long, long time ago," Nadal said. "But there's no time to be excited and enjoy."

By reaching the semifinals of the $2.6 million ATP Western & …

Noel isn't Vick: ; Ex-Frankfort High star making name for himself at Tech

DAILY MAIL SPORTSWRITER

There are two rules Grant Noel lives by this season.

1. There will be no hurdling of defenders.

2. There will be no 75-yard throws.

"I don't think people came in and expected me to do what he doesas far as making four guys miss and running 70 yards," Noel saidWednesday.

Noel knows his place and his talents, anyway. Maybe he is theperfect guy to replace Michael Vick, the immensely talented VirginiaTech quarterback of the 1999 and 2000 seasons. Vick left after lastseason - his sophomore year - for the NFL's Atlanta Falcons.

There can be no messy Vick/Noel comparisons, as far as naturaltalent, anyway.

Into Vick's …

Boy Hit by Train After Painting Grafitti

NEW YORK - A 13-year-old boy had just finished painting graffiti near railroad tracks when he was struck and killed by a commuter train, authorities and friends said Saturday.

A Long Island Rail Road train hit Ari Kraft between stations in Queens during the evening rush hour Friday, police said. The city's medical examiner said he died of "blunt impact injuries to the head, torso …

Irish gov't minister OK as helicopter loses door

A Cabinet minister escaped uninjured Monday after an Irish Air Corps helicopter carrying him lost a door in midair and made an emergency landing at a country club.

The Irish Defence Forces said Arts, Sports and Tourism Minister Martin Cullen was seated next to the left-side door when it fell off at a height of about 500 feet (150 meters).

Cullen had just finished a speech to an Irish Hotels Federation conference in the southwest tourism town of Killarney and was being flown back to …

MY POP: Rob Pruitt

My interest in Paris Hilton isn't a critique-unless it's a critique of myself. Paris is my preposterous alter ego. I'm forty, and the project is like a midlife crisis in my studio. I made the paintings wearing five-inch heels to channel her energy. Am I where I thought I would be now when I was in my twenties? If I paint Paris, will she buy one of my paintings? Why do I feel the way I do wearing these heels? Am I my father's son? He bought a Corvette when he turned forty. For me, Paris is less about her achievements, which most people would say are nil, and more about her gestures and the way she moves. I like to imagine her choosing her outfits and practicing her red-carpet poses. She exists as a readymade, creating compositions with her body. -AS TOLD TO ALISON M. GINGERAS

Helicopter crash kills 1 in Norwegian Arctic

Rescuers say a small helicopter crashed in the Norwegian Arctic and one person on board was killed.

Norway's Rescue Coordination Center says a second person suffered minor injuries when the Eurocopter AS350 went down in heavy snow showers near the Swedish border.

Recuse leader Anne Holm Gundersen says it is unclear why the aircraft crashed Wednesday during a flight from its base in the northern town of Harstad to Alta.

Only two people were on board the five-passenger craft owned by Harstad company HeliTeam. The company said both were Norwegian but did not identify them by name.

вторник, 13 марта 2012 г.

New York

THE NEW YORK STORY may seem to be one of money, but even so, it is a tale encompassing many turns. Certainly, the celestial auction prices of an overheated art market dominated headlines in 2007, to say nothing of griping kaffeeklatsches of collectors, curators, and gallerists. Yet underdiscussed, perhaps, is how the long-bullish economy has affected sectors of the New York art scene that ostensibly linger on its fringes, enabling small galleries and alternative, nonprofit arts spaces to flourish. Indeed, the ever-expanding popularity of contemporary art-underwritten by the city's many investment bankers, hedgefund managers, real estate developers, and entrepreneurs, whose pockets have for years been overflowing-has meant that even those galleries cultivating a more renegade, anticommercial stance have sold enough to keep the doors open and, on top of that, turn a tidy profit.

Geographically speaking, this dynamic is perhaps nowhere more evident than in the continued burgeoning of the Lower East Side arts scene. While spaces like Participant Inc., Reena Spaulings Fine Art, Orchard, Canada, Rivington Arms, and Miguel Abreu Gallery are still mainstays of the area-to name only a few of the first- and second-wave pioneers to arrive in the neighborhood since 2001 (when it was considered a strange aftershock of the '80s East Village)-a whole additional slew of modestly scaled commercial venues emerged in the past twelve months, integrating almost invisibly into the still-eclectic grit of Chinatown or else the quickly gentrifying blocks just north of it. There are, for example, new upstart enterprises like RENTAL-which, as the name suggests, hosts rotating shows by out-of-town galleries-as well as Sunday NYC, Smith-Stewart, and the relocated Luxe Gallery. All of them exude a spunky determination, using every square inch of their barely-bigger-than-a-bread-box spaces to showcase emerging figures; and in an LES context where art venues seem embedded in the comings and goings of ordinary life, it's an approach that gives welcome relief from the too often monotonous grandeur of that Art Mall to its west. But, of course, one cannot help but wonder how long this environment will last: While existing architectural structures and zoning regulations will forestall any immediate replication of Chelsea in the area, satellite branches of more established enterprises, including Lehmann Maupin Gallery, Salon 94 Freemans, and Eleven Rivington (an outpost of midtown's Greenberg Van Doren Gallery), are already beginning to appear alongside these galleries' fledgling efforts. And with the opening of the New Museum on the Bowery this month, the Lower East Side is sure to be fully consecrated as a necessary, no-longer-underground part of the circuit.

This very dynamic, of course, inevitably leads one to consider whether the same economic forces that allowed for such a blossoming of activity have also made it ever more difficult for artists themselves to live and work in the city. For while the Lower East Side is booming not only in art but in real estate-as was, and continues to be, the case in the transformation of both Williamsburg and Chelsea-the same is true, in a sense, of Bushwick. And there's the rub: With each passing year, more visual and performing artists are unable to find affordable studio and rehearsal space, regularly getting kicked out of their longtime rentals throughout Brooklyn (to say nothing of Manhattan), clearing the way for upscale condos. In other words, if 2007 was a banner year for the economics of art in New York, it was, unfortunately, a banner year for a kind of exodus as well, with artists no longer just decamping to the next few stops on the L train but, more dramatically, picking up shop and moving upstate, or to Berlin, or to that out-of-town teaching job, or (the best option, in my opinion) to the affordable loft spaces of Philadelphia. This suggests a cautionary tale for our city: Unless something starts to give in 2008, we risk ending up a metropolis filled with art but lacking in artists.

In fact, more than one of the year's highlights in New York came from artists who decided to forgo creative life in Gotham. Ryan Trecartin, for example, did just that, choosing to work in Philadelphia lofts with a tribe of friends and colleagues to produce a distinctive, over-the-top, DIY brand of video making for the YouTube generation. For his September solo show at Elizabeth Dee Gallery, he premiered I-Be Area, 2007, a video filled with a glittery chaos of visual effects and colorful characters-literally, given their dramatically painted faces and creative costuming-and whose elusive, layered narratives touch on themes of identity, ranging from questions of replication and cloning to community and family. (Trecartin's work, like that of his artistic peers Paper Rad and Kalup Linzy, is both a product and a reflection of Internet and television culture mixed with performance-displaying a low-tech aesthetic of one-stop-shopping video making that is ever more prevalent with today's democratic ease of digital production. His flamboyant, rough-hewn theatricality, on the other hand, is clearly indebted to the likes of John Waters, Tack Smith, and Kenneth Anger.) And in another of the year's strongest shows, Michael Rakowitz (a New Yorker recently relocated to Chicago) presented The Invisible Enemy Should Not Exist at Lombard-Freid Projects. Using both the University of Chicago's Oriental Institute database and Interpol's website, Rakowitz has been conducting research on the more than 7,000 archaeological artifacts looted from the National Museum of Iraq in the aftermath of the American invasion in April 2003-making, in turn, papier-mache replicas of the ancient objects out of packaging from Middle Eastern food products and Arabic newspapers. Memorials to history now irretrievably lost, dozens of these objects were exhibited alongside traditional museum labels and accompanying texts detailing information about their origins, the events surrounding the invasion, and the key players at the Baghdad institution.

But most pertinent to an understanding of New York's rapidly changing cultural landscape might have been, paradoxically enough, a video capturing what is being irreparably lost in another country, on the other side of the world. The subject of a solo show this year at Max Protetch Gallery, Chen Qiulin, a young artist from China, creates performance-based videos that address the psychological consequences of her country's rapid urbanization-particularly those related to the Three Gorges Dam project, which has resulted in the progressive displacement and relocation of more than a million people. The artist typically recruits a large cast-as is the case with several videos shot in the rubble of the now-demolished village in which she was born-and then often assumes the role of the protagonist in videos centered around theatrical rituals staged in symbolically significant locations. Somehow avoiding the common pitfalls of cloying sentimentality and documentary didacticism, Chen's best works rather miraculously track the sensibility of a society having to renegotiate its relationships with a rich cultural past in the face of a national identity, cultivated by the government, that is intended to represent modern technological power and corporate grandeur.

I draw this comparison between Chen's work and New York because the city's cultural heritage seems in such dynamic flux, and while the sense of transition here is hardly as extreme as in Chen's China, it goes without saying that shifting cultural conditions affect production in meaningful ways: Even beyond the question of New York's affordability for artists, long gone is the time that a smaller scene in the experimental performing and visual arts here allowed for natural dialogue among practitioners from different fields, be they video, music, dance, or theater.

The sheer vastness of the New York context seems to limit this type of conversation, even though performing and visual artists alike would benefit from a broader, more fluid understanding of one another's issues, accomplishments, and challenges. Indeed, it is a great paradox of the current scene in New York that more interdisciplinary work is being made than ever, yet there is insufficient exchange among artists coming out of distinct traditions-a situation engendering an inadvertent parochialism among artists and audiences alike, and unintentionally reinforcing disciplinary boundaries in turn. The fact is that even if the venues, participants, and audiences for performance-related disciplines might seem to operate in a parallel universe, separate from the art world, there are many shared philosophical and aesthetic concerns that warrant consideration.

For example: Practically everyone in the art world is familiar with the Wooster Group, Richard Foreman's Ontological-Hysteric Theater, and the Judson Dance Theater, all of which came of age in the more intimate urban settings of the late '60s and '70s. Relatively few, however, are aware of the younger figures who have emerged since the '90s in the wake of these groups, and who are similarly rooted in a cross-section of installation, video, and performance-art traditions in addition to those of theater and dance. The Wooster Group and Richard Foreman, for instance, are the progenitors of such vital theater ensembles as Radiohole and Caden Manson/Big Art Group-both of which, in noteworthy live works made in the past year, wedded a lavish, low-tech, baroque visuality to layered narratives in a manner that immediately brings Trecartin, for one, to mind. Led by Manson (who creates his ensemble works at a place he maintains outside Philadelphia), the Big Art Group often situates closed-circuit cameras amid the action-Manson refers to his performances as "real-time films"-so that actors appear both onstage and on larger-than-life screens, whether in glamorous close-ups or against faux-scenic backdrops. Exposing the artificiality of the spectacle even while creating it, Manson took up themes of war and trauma in his latest production-a traveling show titled Dead Set #3 (whose New York venue was, full disclosure, The Kitchen)-and, in tragicomic fashion, set them in a campy fusion of club life and pop culture. The mix featured performers shrouded in pink-sequined Abu Ghraib-like hoods; references to television tabloid and news shows, in addition to B horror movies; and borrowed dialogue from online pickup chatrooms.

For its part, Radiohole (a tight-knit ensemble made up of Erin Douglass, Eric Dyer, Scott Halvorsen Gillette, and Maggie Hoffman) generates outrageous productions with riotous displays of props, inexplicably captivating pranks, and perplexing plots inspired by influences ranging from Godzilla movies and spaghetti westerns to Guy Debord. ("Avant-vaudeville mixed with Richard Foreman" is how one friend described their style to me.) Earlier in the year they presented Fluke-an adaptation (of sorts) of Herman Melville's Moby-Dick-in their tiny Williamsburg garage of a space, dubbed the Collapsable Hole. Having crammed the stage with a jury-rigged junkyard set (resourcefully evoking life at sea), the cast painted eyes onto their eyelids in front of a live audience and then performed nearly the entire play with their real eyes closed, mingling the bizarrely awkward body language one might expect with moments of surprising, rehearsed agility-all while viewers were alternately laughing and feeling deep unease at the raucous stunt.

Even the more established theater groups this year warranted consideration in the art-world context, however. Stylishly distilled in its uses of appropriation, simulation, fracturing, and repetition-all strategies deeply familiar to art audiences today-was the Wooster Group's production of Hamlet with troupe member Scott Shepherd as the lead. Based on the movie version of the Shakespearean play's 1964 Broadway production, in which Richard Burton played the lead, the Wooster remake brings together live performers onstage and a manipulated "ghost" of the film, which is projected onto the screen behind them. Throughout the show, performers echo aspects of the film, replicating stance, staging, tone, and gesture. The palimpsest of past and present, sound and image, makes it a Hamlet experience like no other, in that the production isn't about Hamlet at all, but rather about the fleeting uniqueness of live performance and the dominance of our media culture today: The stinging truth of our TiVo times is that greater comfort seems to lie in the distanced repetition of what we already know.

It must be said here that Shepherd, with his astonishing charisma and effortless stamina, seems to have single-handedly turned acting into the latest incarnation of virtuosic endurance art. He also starred in the Brooklyn-based ensemble Elevator Repair Service's production of Gatz, a six-and-a-half-hour tour de force involving (in part) a reading by Shepherd of The Great Gatsby from cover to cover. Due to conflicts with the F. Scott Fitzgerald estate, the production has yet to appear officially in New York, but this year it has traveled around the world (including Philadelphia) to unanimous acclaim. A direct offspring of the Wooster Group in many respects, but with its own distinctive generational qualities, Elevator Repair Service draws inspiration from multiple sources, creating productions as an ensemble, like Radiohole, that are inspired by odd combinations of found texts mixed with unusual choreography, low-tech props, imaginative sound tracks, and a wicked dose of whip-smart humor. In Gatz, Shepherd's character arrives one morning at his shabby, rundown office, where he finds an old copy of the famous novel amid the clutter on his desk and starts to read aloud from it-and then doesn't stop. Each word of Fitzgerald's is preserved but also transformed as Shepherd's coworkers go about their business, ignoring his behavior, until odd coincidences between the book's plot and the actions onstage start to surface. The results are mesmerizing, being true to the text in a verbatim way but transforming the classic novel-by shifting the context around the reading-into something strange and bewildering even within its own conjured dramatic world.

Bringing such works into art-world situations, and vice versa, and subsequently mingling these various publics would only enrich our understanding of what was perhaps the most pronounced trend within the art world during the past year: the growing presence not only of performance-based video work but also of live performance within alternative contexts, ranging from venues such as Anthology Film Archives, Artists Space, and Participant Inc. to galleries like Greene Naftali Gallery, Elizabeth Dee Gallery, Taxter & Spengemann, John Connelly Presents, Foxy Production, Reena Spaulings Fine Art, Zach Feuer Gallery (LFL), and Miguel Abreu Gallery, among others. The events themselves also tend to take various forms, ranging from simply staged dance performances to live music by local bands to solo theatrical excursions to "performance art" in the more historical sense of the term. Adding to the synergistic spirit is the second rendition of the multi-venue Performa biennial, dedicated to live performance by, or related to, visual artists.

But to consider again the question of New York "on the ground": That there is such a melange of activity-each component of which brings its own enthusiastic followers in tow-might also be understood as testifying to a recognized need in New York for more intimate settings of dialogue and exchange. And if so, this desire comes with a certain peril. Without taking a larger cultural context into account, all these activities within the art world risk being put merely in the service of creating distinctive social scenes, galvanizing the energy that live events generate for individualized purposes. Live performance could be so much more than that, even offering a small communal resistance to the totalizing economic forces at play in the city and creating a kind of underground in public.

[Sidebar]

Opposite page: K8 Hardy and Stefan Tcherepnin, Bear Life, 2007. Performance view, Reena Spaulings Fine Art, New York, 2007. From Kim Gordon and Jutta Koether, "Dead Already," 2007. This page, clockwise from top: Ryan Trecartln, I-Be Area, 2007, still from a color video, 1 hour 48 minutes. Michael Rakowltz, The Invisible Enemy Should Not Exist, 2007-, packaging, newspapers, and glue. Installation view, Lombard-Freid Projects, New York. Chen Qlulln, Garden, 2007, stills from a color video, 14 minutes 45 seconds.

[Sidebar]

If 2007 was a banner year for the economics of art in New York, it was, unfortunately, a banner year for a kind of exodus as well.

[Sidebar]

It is a great paradox of the current scene that more interdisciplinary work is being made than ever, yet there is an inadvertant parochialism among artists and audiences alike.

[Sidebar]

Opposite page, from top: Shakespeare's Hamlet, performed by the Wooster Group in a production directed by Elizabeth LeCompte. 2007. Performance view, Public Theater, New York. Hamlet (Scott Shepherd). Photo: Paula Court. Radiohole, Fluke, 2006. Performance view. Collapsable Hole, Brooklyn, New York, 2007. This page, clockwise from top left: Performance by Bunny Love, Bambl the Mermaid, and Eric Schmalenberger In the Annex Room as part of assume vivid astro focus's exhibition "A Very Anxious Feeling," John Connelly Presents, New York, 2007. Anthony Coleman performing Robert Ashley's Entrance (1965), Miguel Abreu Gallery, New York, July 26, 2007. Oliver Husaln, Rushes for Five Hats, 2007. Performance view, Greene Naftali Gallery, New York, 2007. Photo: Sam Pulitzer.

[Author Affiliation]

DEBRA SINGER IS EXECUTIVE DIRECTOR AND CHIEF CURATOR OF THE KITCHEN IN NEW YORK. (SEE CONTRIBUTORS.)

DEBRA SINGER is executive director and chief curator of The Kitchen in New York, where she is currently organizing a solo exhibition of the work of Mai-Thu Perret to open in January. She most recently cocurated the group show "Between Thought and Sound: Graphic Notation in Contemporary Music" at The Kitchen last September and has organized numerous solo projects by artists such as Edgar Arceneaux, The Atlas Group/Walid Raad, and Christian Jankowski. "An Atlas of Events," an international exhibition Singer cocurated for the Calouste Gulbenkian Foundation with Antonio Pinto Ribeiro and Esra Sarigedik Oktem, is on view at the Lisbon institution through the end of this month. For this issue, Singer contributes an On the Ground report on the New York art scene in 2007. PHOTO: CODYTREPTE

Boot Crew Nabs No. 2 Scofflaw

Angela Shannon probably thought she was home free.

Shannon is Chicago's No. 2 parking ticket scofflaw with $26,670in outstanding tickets. But her beige Toyota had a Florida licenseplate. She probably figured there was no way she'd get the boot.

On Thursday, Shannon got a big surprise.

City crews patrolling the Lake View neighborhood looking forcars to disable with the wheel-locking "Denver boot" found her car inthe 3000 block of North Pine Grove.

What Shannon, of the 600 block of West Sheridan Road, might nothave known was that last year, the city acquired the ability to trackdown license plate information from all 50 states. More than 65,000names were added to the "boot-eligible" list.

In all, the boot list includes 277,000 motorists - everyonewith five or more unpaid parking tickets. The average scofflaw owes$400. No. 1 on the list is Susan Quint, of the 5500 block of NorthGlenwood, with 827 unpaid tickets and $35,595 in fines. She has Ohioplates, according to the city.

Neither Quint nor Shannon could be reached for comment.

Shannon has 606 outstanding tickets, all accumulated in the lastfour years - some for blocking fire hydrants, snow routes, crosswalksand handicap spacesareas. That's an average of one ticket every 21/2 days.

Cong. Jesse Jackson blasts father's blooper

Defender Staff Report

On July 9, Rev. Jesse Jackson made some stirring comments about Sen. Barrack Obama, D-IlL, while privately speaking to Dr. Reed V. Tuckson, executive vice president and chief of medical affairs for UnitedHealth Group, before a Fox News interview.

Rev. Jackson quickly apologized for his comments where he accused the Democratic presidential hopeful of talking down to Black people and that, as a result, he wanted to remove Obama's genitalia.

Cong. Jesse L. Jackson Jr., D2nd, rejected his fathers controversial comments. In a written statement, Cong. Jackson said that he will always love his dad but that his should know how hard Cong. Jackson has worked as national cochair for Obama's presidential campaign.

"I'm deeply outraged and disappointed in Reverend Jackson's recless statements about Senator Barack Obama," Cong. Jackson said.

"I thoroughly reject and repudiate his ugly rhetoric. He should keep hope alive and any personal attacks and insults to himself."

City vs. suburbs

A few weeks ago, Susan LePage started selling high-fashion shoes, vintage-style clothing and eye-catching accessories in downtown Lancaster. In that short time, she became convinced that she made the right decision when she opted against suburban shopping malls.

"I've been wanting to be downtown. I had a great desire to be here," said LePage, owner of Irish Gypsy. "It's just a different mindset in downtown. People have energy and creativity here."

LePage is one of several new business owners who want to tap that energy. Several small businesses are opening in downtown

Lancaster, and a city official said these businesses would enhance downtown's reputation as an alternative to shopping malls.

"People are very interested in bringing unique businesses to downtown," said Janis Beitzer, executive director of the Lancaster Downtown Investment District Authority. "It's great because it's different."

One area of new activity is the Hager Arcade Mall, a small indoor mail next to Central Market. Irish Gypsy opened there in late April, and two other businesses Today's Chef Gourmet Market and Center City Deli - are expected to open there in early June.

The building once was home to a department store and was converted into residential and retail condominium space about 20 years ago, said Frank Thomas, who, along with his wife, Lola, owns most of the retail space. The Thomases also operate two stores at the arcade: Chestnut House, which specializes in American crafts, and Bonsai Collection, which offers Bonsai trees and Asian gifts.

The Hager Arcade will be fully occupied once the new businesses are in, Thomas said.

For the first time, Thomas has a waiting list of businesses that want to move into the mall.

"We have a really good mix of businesses here," he said. "It's very exciting."

The offerings at Today's Chef will include gourmet foods, cookware, tableware and cooking classes. Owner Tom Gillin said he decided to open Today's Chef in the arcade because of its proximity to Central Market.

"Central Market and this type of business meld together well," Gillin said. "I think it will enhance the market, not compete with it."

Stephen Van Lenten described Center City Deli as a "Manhattan deli mixed with a coffee shop atmosphere." Van Lenten said he expects to have between five and eight employees when his business opens.

Van Lenten returned to Lancaster in mid-2002 after briefly living in Orlando, Fla.

When he came back to the area, Van Lenten said, he was surprised by all of the projects planned for downtown, such as the proposed convention center and hotel on Penn Square.

"The next five years hopefully will bring a lot of businesses, a lot of tourists, a lot of everything to downtown," he said. "It seems like now is the time to get in."

In addition to new businesses, Beitzer said downtown Lancaster is beginning to attract retailers that used to do business in the suburbs.

Eileen Leaman once owned a generalgift shop near Lititz. But on March 17, Leaman - along with her husband, Dan, and new business partner Glenn Wentzel opened The Leaman House Studio at 44 N. Christian St. in downtown.

The store offers gifts, home decor items and services, such as custom silk

flower arranging.

Wentzel said being so close to downtown activities and workers gives new opportunities to the business that it didn't have in the suburbs.

Leaman agreed.

"We're confident with what is happening and what is expected to happen downtown," she said. "We wanted to be a part of that excitement."

Windy Cities

ALTERNATIVE ENERGY

The winds that whip around urban buildings are rarely harvested by wind turbines and converted into electricity. One reason: aesthetics. Skylines skewered by wind turbine towers could be quite unsightly. Moreover, most turbines aren't efficient enough to merit installation. But Enatek, an Italian start-up based in Tuscany, has designed a building-integrated turbine that solves both problems.The Venturebine features three blades that rotate horizontally, somewhat like the turning blades on an old-fashioned manual lawn mower. The units - which weigh just 440 pounds each and are roughly 10 feet in length - can be placed end to end along a roofline, so they blend in more readily with their surroundings. Enatek engineers got help from the Universities of Florence and Prato. -TG

Army Reserve acquires new satellite communication system

ATLANTA-The U.S. Army Reserve Command has received its first theater signal communications satellite system. This system provides instantaneous direct communication between units located half a world away.

The AN/TSC-94A (V) 1, the Department of Defense name for the satellite system, is selfcontained and easily transportable. The satellite communications terminal is mounted on a fourwheeled trailer, which can deploy an eight or 20-foot antenna. The equipment and operator section is contained in a tactical shelter, providing the soldiers a controlled environment for operations.

The communications suite provides the user up to 24 channels of secure communications transmission, and provides a wide spectrum of analog or digital data transmission capabilities. The terminal can operate on either generator power or standard 120 volt AC current.

The new system has been assigned to the 335th Theater Signal Command in East Point, Ga. The 335th provides signal and communications support to Third U.S. Army and Central Command in Southwest Asia.

"This new equipment will give us an expanded capability to conduct communications missions and support to the warfighter," said Col. Wayne Morgan, chief of staff for the 335th. "This gives Third Army a communications reach which was previously unavailable."

The new equipment also requires new personnel to operate it. The 335th is implementing a plan to stand up the 1st Signal Detachment (TACSAT) to support the equipment and mission. This element will consist of about two-dozen communications and support personnel, all qualified to man and operate the satellite communications terminal.

Recruiting for the positions is well underway, with a special emphasis on Military Occupational Skill 31 IS.

Once the detachment's ranks are filled, the 335th will start deploying the equipment to support Third U.S. Army in various exercises in the upcoming year. This year's training events include Roving Sands 2001, considered the world's largest air defense and communications exercise, held annually at Ft. Bliss, Texas and Bright Star 2002 in Egypt.

For information on joining the 33 5th contact Maj. Chris Ingle at 404-559-4626 or Sgt. 1st Class Shelton Nicholson at 404-559-5403. You can also visit their website at www.usarc.army.mil/335th.

[Author Affiliation]

By Maj. Dave Acevedo

[Author Affiliation]

(Maj. Acevedo is with the 335th Theater Signal Command)

REMAINS OF THE DAY

ISRAELI ARCHEOLOGISTS UNCOVER 2, 100-YEAR-OLD JERUSALEM WALL, WHEN THE CITY WAS AT THE LARGEST SIZE; WORKERS' REMAINS INDICATE ACTIVITY FROM EARLIER DIG

The remains of the 2,100-year-old southern wall of Jerusalem that was built during the Second Temple period have been uncovered, the Israel Antiquities Authority announced earlier this month.

The wall, which was destroyed during the Great Revolt against the Romans that began in 66 CE, is located on Mount Zion just outside the present-day walls of the Old City of Jerusalem. It adjoins a Catholic cemetery which was built in the last century, and where the Righteous Gentile Oskar Schindler is buried.

The exciting and important discovery, announced September 3 in Jerusalem, constitutes extraordinary remains of the wall of the city from the time of the second Temple (second century BCE-70 CE) that was built by the Hasmonean kings and was destroyed during the Great Revolt, as well as the remains of a city wall from the Byzantine period (324-640 CE) which was built on top of it.

The excavation has been underway for a year-and-a-half, under the direction of archaeologist Yehiel Zelinger of the Israel Antiquities Authority.

The lines of the wall that delineate Mount Zion from the west and the south were first discovered and excavated in 1894-1897 by the Palestine Exploration Fund, under the direction of the American archaeologist Frederick Jones Bliss (1857 -1939) and his architect assistant, Archibald Dickie. Remains from the dig were found by the Israeli archeologists, and included a laborer's shoe (above left) and a fragment of a beer bottle, marked "A. Wigolik" and "Jerusalem" (above right).

According to Zelinger, "Having located the two city walls on Mount Zion corroborates our theory regarding the expansion of the city toward the south during these two periods, when Jerusalem reached its largest size. In the Second Temple period the city, with the temple at its center, was a focal point for Jewish pilgrimage from all over the ancient world and in the Byzantine period it attracted Christian pilgrims who came in the footsteps of the story of the life and death of Jesus. The exposure of the Hasmonean city wall and the line of fortifications from the Byzantine period, which is dated 400 years later and is right on top of the former, prove that this is the most advantageous topographic location for the defense of the city."

Center above: A bowl shard from the Late Roman Period (3-4 BCE); below: an aerial view of the general excavation area and the Mount Zion Valley.

[Author Affiliation]

By EDGAR ASHER

ISRANET CORRESPONDENT

понедельник, 12 марта 2012 г.

Wis. Town Mourns 6 Shooting Victims

CRANDON, Wis. - An off-duty sheriff's deputy who killed six young people and wounded another during a homecoming weekend gathering may have been motivated by a romantic dispute, relatives of the victims said.

Tyler Peterson, 20, was shot to death after opening fire early Sunday at a home where authorities said the friends met for pizza and movies. He was off-duty from his full-time job as a Forest County deputy sheriff; he also was a part-time Crandon police officer.

"I'm waiting for somebody to wake me up right now. This is a bad, bad dream," said Jenny Stahl, whose 14-year-old daughter, Lindsey Stahl, was the youngest victim. "All I heard it was a jealous boyfriend and he went berserk. He took them all out."

Crandon Police Chief John Dennee declined comment on whether Peterson had a romantic relationship with any of the victims.

The lone survivor of the shooting, Charlie Neitzel, 21, of Pickerel, was upgraded to serious condition and was improving Monday at St. Joseph's Hospital, spokeswoman Karla David said.

The white, two-story duplex where the shooting occurred was about a block from downtown Crandon, a small town located 225 miles north of Milwaukee in an area known for logging and outdoor activities.

Marci Franz, who lives two houses from the duplex where the shooting occurred, said she was awakened by the gunshots.

"I heard probably five or six shots, a short pause and then five or six more," she said.

Then she heard eight louder shots and tires squealing, she said.

"I was just about to get up and call it in, and I heard sirens," she said. "There's never been a tragedy like this here. There's been individual incidents, but nothing of this magnitude."

Sheriff Keith Van Cleve said he would meet with state Attorney General J.B. Van Hollen on Monday morning to discuss the case. Crandon Mayor Gary Bradley said Sunday that a sniper killed the suspect, but Van Cleve would not confirm that officers shot him.

The shooting raised questions among residents about whether Peterson had met requirements to become a law enforcement officer. David Franz, who is married to Marci Franz, said it was hard to accept that someone in law enforcement was the gunman.

"The first statement we said to each other was, 'How did he get through the system?'" Franz said.

Peterson's father, Steve Peterson, said that the family planned to draft a statement to the public, but declined Monday to talk in detail. Nothing his family said about him now would be believable to most people, he said.

"It is very trying," he said.

Three of the victims were Crandon High School students, said school Superintendent Richard Peters, and the other three had graduated within the past three years. The Crandon School District called off classes Monday.

"There is probably nobody in Crandon who is not affected by this," Peters said, adding that students "are going to wake up in shock and disbelief and a lot of pain."

Residents gathered at Praise Chapel Community Church Monday morning to meet with counselors. Many walked in with their arms around each other for support, embraced and sobbed.

"Anytime that you can release the tears and be able to grieve out loud and share your anger and things, I think it's part of the healing process," said Pastor Bill Farr, whose son grew up hunting and fishing with Peterson and two of the victims.

Peters did not know whether Peterson had graduated from the 300-student school. But Crandon resident Karly Johnson, 16, said that she knew the gunman and that he had helped her in a tech education class.

"He graduated with my brother," she said. "He was nice. He was an average guy. Normal. You wouldn't think he could do that."

One victim, 20-year-old Bradley Schultz, was a third-year student at the University of Wisconsin-Milwaukee who was home to visit his friends, said his aunt, Sharon Pisarek.

"We still don't have many details, but from what they've told us, there was a girl next to him and he was covering her, protecting her," she said, sobbing. "He was loved by everybody. He was everybody's son. Senseless."

Another aunt, Rose Gerow, said Schultz was majoring in criminal justice and wanted to be a homicide detective.

"This is senseless because they were friends," Gerow said. "These guys weren't after his girlfriend, they were just getting together."

Also killed were Jordanne Murray, Katrina McCorkle, Leanna Thomas and Aaron Smith, according to Sjana Farr, the pastor's wife, who was present when the town's police chief announced the victims' names to people who gathered at the church Sunday. Their ages were not immediately available.

The town of about 2,000 people last made headlines in August, when community groups and a soldier helped bring an Iraqi girl to the United States for a cornea transplant. The mayor pleaded Monday for support to help the town begin to heal.

"This is something we have to put back together," he said.

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Associated Press writer Dinesh Ramde in Milwaukee contributed to this report.

Backing off `Clinton's war'

House Speaker Dennis Hastert, assuming his new duties as a partyleader, quietly is advising Republican colleagues not to try to"steal" the Yugoslav war from President Clinton.

Hastert wants the GOP to take the position that "it's Clinton'swar," meaning that he should get the blame for it. The speaker isattempting to walk a difficult line, with Republicans neitherobstructing the president nor becoming his active collaborators.That rules out Republican Sen. John McCain's resolution authorizing"all necessary force" against Serbia.

However, the speaker would like Republicans to load Clinton's $6billion emergency war appropriation with badly needed additionaldefense spending. Stealth candidateFormer Sen. Bill Bradley, whose low-profile bid for the Democraticpresidential nomination has become a serious challenge against VicePresident Al Gore, will continue as a stealth candidate throughoutthe next several months.Bradley has raised more money and risen higher in the polls thananybody expected without accepting television talk-show invitations,and his strategists see no need to change. They are overjoyed thatBradley is Gore's only challenger.A footnote: While Gore long ago wrapped up practically everybodyin the Democratic establishment, Bradley has reached out to friendsin the corporate world - especially the entertainment industry. Hissupporters include Michael Eisner of Disney, Barry Diller of USANetwork and Jeffrey Bezos of Amazon.com. George W.'s pioneersThe roster of "pioneers" who have pledged to raise a minimum of$100,000 each for Texas Gov. George W. Bush's Republican presidentialcampaign includes Deepak Chopra, the health guru from La Jolla,Calif.Also listed are golfer Ben Crenshaw and Dallas businessmanTheodore Strauss (brother of Democratic wise man Robert Strauss).As of April 19, a total of 270 pioneers had signed up for Bush.If each fulfills his pledge, that would guarantee $27 million -helping the governor to finance his own campaign without federalmatching funds that impose spending limits. TargetingpharmaceuticalsWashington product-liability lawyer John P. Coale, who has led thelegal assault against tobacco and gun manufacturers, is setting hissights next on the pharmaceutical industry.If Coale sues the drug manufacturers, that would accompany alegislative approach in Congress now gaining support. Rep. Tom Allenof Maine has signed up more than 100 other Democratic House membersin support of his Prescription Drug Fairness for Seniors Act, whichwould require a discount on prescription drugs for Medicarerecipients.Meanwhile, Rep. Henry Waxman of California has mobilized hisDemocratic staff on the House Government Reform and OversightCommittee to produce studies of the pharmaceutical industry's allegedexploitation of senior citizens. Rick Lazio's friendRep. Rick Lazio, contemplating an uphill fight against New YorkCity Mayor Rudolph Giuliani for the Republican Senate nomination, isciting an unusual political reference in Washington: New York'sDemocratic Rep. Charles Rangel.In seeking supporters, Lazio says that - unlike theconfrontational Giuliani - he can get along with everybody. Asevidence, he points to Rangel's friendship with him. Ironically,Republican fund-raisers try to frighten businessmen into contributingto the 2000 congressional campaign by raising the prospect of Rangelbecoming chairman of the tax-writing House Ways and Means Committeeif Democrats regain control of the House.Robert Novak appears on the CNN programs "Capitol Gang" at 6 p.m.Saturday, and "Evans, Novak, Hunt and Shields" at 4 p.m. Saturday and10 a.m. Sunday.

Bird flu resurfaces in Asia, human deaths and poultry outbreaks reported

Bird flu has resurfaced in parts of Asia, with human deaths reported in Indonesia and China and fresh poultry outbreaks plaguing other countries during the winter months when the virus typically flares.

Indonesia, the nation hardest hit by the H5N1 virus, announced its 93rd death on Friday after a 47-year-old man died a day earlier in a Jakarta hospital, said Health Ministry spokesman Joko Suyono. He fell ill on Dec. 2 and was admitted with flu-like symptoms, becoming Indonesia's 115th person infected with the disease.

In China, the military in eastern Nanjing banned the sale of poultry this week after a father and son were sickened by the disease earlier this month. Health officials confirmed the 24-year-old man died from the virus a day before his father, 52, became sick. It was the country's 17th bird flu death.

The two were believed to have eaten a traditional dish known as "beggar's chicken," in which the bird is wrapped in lotus leaves and baked. However, the cause of infection remained unclear. The father is recovering after taking the antiviral Tamiflu, said Hans Troedsson, World Health Organization representative in China. More than 80 people who had contact with the family were being monitored for symptoms.

Local animal health officials said last week no H5N1 outbreaks had been detected among the province's poultry, but Troedsson said sick birds typically are not reported prior to human deaths in China _ a sign the country's surveillance systems need to be improved.

The virus has killed 208 people worldwide since it began ravaging Asian poultry stocks in late 2003, according to the World Health Organization. It remains difficult for people to catch, but experts fear it could mutate into a form that passes easily among people, potentially infecting millions globally. So far, most human cases have been linked to contact with sick birds.

Scientists say it is impossible to predict what the H5N1 virus will do, but more bird flu outbreaks often occur when temperatures drop as winter sets in.

Officials in Pakistan were investigating the country's first suspected bird flu cases Friday after two poultry farm workers died this week after being hospitalized with flu-like symptoms in Peshawar, said Khushdil Khan, medical superintendent of the Khyber Teaching Hospital.

Blood samples were sent to the Health Ministry in Islamabad for testing, but the results have not been confirmed, Khan said. Pakistan has grappled with bird flu outbreaks among poultry for the past two years, but no human cases have been reported.

Meanwhile, the disease has resurfaced in several provinces across Vietnam in recent months, killing or forcing the slaughter of thousands of birds. So far, 46 people have died from the virus nationwide.

Hong Kong closed its famed Mai Po bird sanctuary to the public for three weeks starting Friday after a wild gray heron discovered nearby tested positive for the virus. Russia and Poland also have experienced recent outbreaks among poultry, but neither have detected human cases.

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Associated Press writers Irwan Firdaus in Jakarta, Indonesia; Audra Ang in Beijing; and Riaz Khan in Peshawar, Pakistan contributed to this report.

Avoiding troubled waters: a look at everything from planning through to culvert selection and installation, grass seeding and de-activation

With careful planning and execution, foresters can keep local waterways pure when building roads and crossings. A look at everything from planning through to culvert selection and installation, grass seeding and de-activation.

The modern forester has a lot of responsibilities. In the early days of commercial logging, it was widely believed that our forest resource was inexhaustible. Today, we recognize not only the limitation of our timber supply, but also the multitude of values associated with our forests and rangelands: complex ecosystems, First Nations' culture and history, recreational opportunities, and the purity of local water sources.

In fact, the importance of protecting our water has been given special emphasis lately both across Canada and in B.C.

The province has become a world leader in establishing forest practices legislation that will protect the working forests for future generations. Many other provinces and countries are modeling new forestry legislation after B.C.'s recently introduced Forest Practices Code. The Code is setting high standards for forestry operations in B.C. and is establishing enforcement provisions that promote responsible forest stewardship.

The regulations specify the forest practices that apply province-wide. Standards may also be established by the chief forester to expand on the regulations. Forest Practices Code guidebooks have been developed to support the regulations.

While not mandatory, the recommendations in the guidebooks provide information to help users exercise their judgment in developing site-specific strategies to accommodate resource management objectives. When a recommendation or a passage from a guidebook is included in a plan, it then becomes enforceable under the Forest Practices Code.

British Columbia, like other provinces, has a law that specifically regulates the use and diversion of water. The intent of the B.C. Water Act is to protect the environment and the rights of other licensed users, and to minimize flood damage. A developer working on private land must obtain a water license or approval before work is done in or around a stream. (A stream is technically defined as having continuous and fixed banks and a crossing is required for all continuous and intermittent drainage flow channels, springs, seeps and moist areas.)

The Water Act clearly defines how an applicant can make certain types of changes in and around a stream.

Maintaining the purity of local water resources involves a lot of informed options. So, although it is by no means exhaustive, here's a foresters' guide to safe, environmental, efficient, and economic stream crossings. The material is drawn from Canadian governments, forestry papers, industry expertise and guidelines, as well as from measures used in good forestry practices.

First, a plan

A forest development plan, spanning five years, must be prepared for each unit within a forest company's harvesting area. Roads, stream-crossing structures, and sites should be selected, designed and constructed to ensure optimum use of roads, minimize costs of deactivation, and accommodate all resource values.

All bridge crossings, culverts, fords and ditches must be designed and constructed to maintain natural drainage patterns, allow fish passage where needed, and avoid cross-surface drainage.

Culvert and bridge crossing location and design must match individual site needs and accommodate the following flood returns:

- 50 years for a temporary structure on public lands; 100 years for a permanent structure on public lands.

- 200 years or the channel capacity on land not covered by the Code.

For minor culvert installations, a detailed site plan is usually not required. Major culverts and bridge crossings require a detailed site plan supported by geotechnical and biophysical information, such as slope and soil composition, stream characteristics, channel configuration, and riparian vegetation.

Design of a crossing must conform to current requirements of all agencies and governments. During construction, ensure that road and crossing design specifications are followed.

Clear up questions

Construction specifications and drawings are reviewed and compared against the actual work being completed as well as variations to the specifications. Often joint licensing/agency on-site visits can clear up questions.

Construction drawings and specifications are applied to all permanent or semi-permanent bridges and major culverts, according to the latest code requirements of the Canadian Standards Association Design of Highway Bridges, CAN/CSA-S6, and the latest version of the Canadian Foundation Engineering Manual. The peculiarities of unbalanced logging truck loads and eccentricities must be considered in all bridge designs.

Factors that affect a crossing include: debris passage, icing, sediment as a bedload mover, livestock damage, and human damage.

In special situations, the main flow of a stream or river may be temporarily diverted using ditches, berms, dykes, piping, high capacity pumps, or an existing alternate channel, allowing work to proceed. Diversions are challenging and require planning, forethought and timely execution. Stream diversions may not be allowed in certain locations or seasons.

During all stages of the diversion, it is imperative to avoid siltation by using hay bales, sediment socks, settling ponds, silt fences, filter cloths, and naturally vegetated areas to remove silt from water pumped or running from the work area. Use strainers to keep fish out of pump inlets.

When debris movement is anticipated at the crossing structure for non-fish-bearing streams, it is necessary to install some form of debris control. "Grizzlies" debris catchers or debris basis can be installed or constructed to catch or divert debris from the culvert entrance. All debris-control structures must be routinely inspected and maintained.

Review and renew

Wild animals, environmental degradation, construction, and harvesting practices can damage field markings. Before starting construction, all markings should be reviewed and, if necessary, renewed. Markings for winter use must be above the potential snow level.

The right of way should be of variable minimum width needed for road and crossing construction. All standing trees within the clearing width must be felled, and, as much as possible, trees must be directionally felled away from streams or wetlands. Felling and yarding techniques must be selected to prevent streambank destabilization.

Planners, construction managers, and operators should work together to develop a construction plan that supports the objectives of habitat protection. Such basic measures as avoiding storing materials, fueling and servicing equipment, undertaking equipment maintenance, and cleaning in riparian areas, go a long way toward reducing harmful effects. Excavation should be suspended during bad weather -- heavy rainfall, for example -- when the potential for damage to the environment is greatest.

Ensures natural drainage

Correct selection and installation of culverts is one step toward ensuring that natural drainage is maintained and sediment transfer kept to a minimum. There are many choices of culvert materials: wood, concrete, metal and corrugated polyethylene.

Log culverts can be efficient and durable structures that protect natural stream features and can be ideal for forest road construction where suitable logs and experienced crews are available.

Proper installation of culverts -- regardless of the material used -- is critical to ensuring that road stability will not be compromised by ineffectively installed drainage. Unstable or erodable fill at culvert inlets-outlets should be protected with erosion-resistant material to prevent scour and erosion. The foundation beneath the pipe must provide reasonably uniform resistance. Avoid installing culverts where situations may cause uneven settling or pressure points on culverts leading to blockage.

The multi-plate arch used for drainage is a semi-circular, galvanized, corrugated steel structure, which does not disturb the stream bed and provides a natural course for water flow. The arch is constructed bolting single, curved, steel plates together onto prepared footings. Properly designed and installed, the arch has an expected service life of 100+ years with minimal maintenance.

Must be fully functional

Slash and debris must be disposed of and managed in such a way that the material does not enter a watercourse or contribute to slope instability.

Temporary or permanent drainage systems must be built concurrent with subgrade construction, and must be fully functional and maintained. Excavated material must not be sidecast on steep slopes with high or very high mass-wasting potential.

To ensure long service life, culverts must be properly backfilled and compacted. Granular materials such as pitrun gravel or coarse sands are recommended. Ensure that the material does not contain large rocks that could, over time, affect the structure.

Many culvert-fill failures are caused by the lack of adequate compaction during backfilling. When cohesive-type materials are used, attention must be given to ensuring it is compacted at optimum moisture content. Thorough compaction should be done in lifts of 150 to 300 mm of material at a time, and worked by hand or with mechanical equipment, tampering rollers, or vibrating compactors.

Records must be kept

All temporary and semi-permanent bridges and major culverts must be inspected at least once every two years and permanent bridges at least once every three years, or after unusually high flows and other unexpected events that could damage structures. Records of inspection, noting the general condition of all components, must be kept. Excellent drainage control depends on follow-up actions to implement the inspection results.

Roads must be inspected and maintained to protect the structural integrity of the road prism, keep drainage systems functional, and ensure user safety requirements. An annual maintenance plan must be prepared and followed and maintenance checks must ensure that sediment production and effects on other resources are minimized. New to the industry is the use of an "inspection tracking system." Many operations have hundreds of kilometres of old and new roads; keeping track of all of these can be a formidable task.

Inspections and remedial work must be carried out as often as indicated by the risk to the road, its users, and adjacent resources. This inspection process must assess the adequacy of ditches and culverts, the requirements for improved drainage works, road surfacing or re-vegetation, and other elements of road integrity and safety.

Unique solutions

While it is recognized that there are general techniques and procedures to minimize environmental damage, site-specific conditions may require a solution unique to a location.

It is recommended that grass seed mixtures be applied to all exposed soil that will support vegetation in the first growing season after construction (ground disturbance). Areas to be revegetated include inactive borrow pits, waste areas, road cuts, fill slopes, and all other disturbed areas.

There are many species and varieties of grasses and legumes. Each mix is usually suited to an application and site. In British Columbia, where rainfall, winter and summer temperatures and elevation vary widely, site-specific formulations are the key to success.

In riparian areas and some slope situations, it is desirable to plant appropriate trees and shrubs as well as grass and legumes. Woody plants provide stronger root systems than grass and contribute to restoring the productivity of the riparian area or stream and, in all applications, provide slope stability.

The best time to place seed is immediately after the ground has been disturbed. This allows the seed to fall into openings in the soil, before the surface becomes compacted by the effects of weather. However, consideration must be given to moisture and temperature conditions. For best results, it is suggested that dry seeding be done when moist weather is anticipated for at least three weeks or on the snow in the spring.

Hydro-seeding offers engineers and erosion-control specialists a variety of options in erosion protection. With its ability to broadcast seeds over a large, inaccessible area quickly, safely, accurately, and with relatively high probability of germination, it offers unique advantages. Applying seed in a medium creates a "mat," which holds the seed in place. The added mass increases accuracy and throw distance. The liquid medium adds stability to soils in exposed, windy areas, and the mulch helps retain soil moisture, accelerating germination and enhancing the survival rate of grass seedlings.

Hydro-mulches act as carrying agents in the hydro-seeding process. The most common hydro-mulches are made of paper, paper mill sludge, wood fibre, or a combination. In additional to acting as carrying agents, hydro-mulches help to retain soil moisture, enhancing seed germination and survival.

Additives like tackifiers, soilbonding agents, moisture-retention agents, and fertilizers can all be incorporated into hydro-seeded mixtures. Depending upon the type used and the site-specific conditions, these additives may maintain their effectiveness for up to two years, decomposing over time.

There are many types of hydro-seeding delivery equipment systems available and each has its pros and cons. Sizes range from 30-gallon ATV-mounted pumpers to 30-gallon 4 x 4 pickup mounted units, 10-wheeled, 4,000-gallon behemoths to helicopter buckets.

Use pre-approved plan

Roads must be deactivated according to the pre-approved plan when they are no longer in regular use and are not being regularly maintained. At this time, the roadway prism and cleared width must be stabilized and natural drainage restored.

Integrated resource management objectives and ongoing and future vehicle access requirements as identified in the access management plan must be incorporated into deactivation planning.

The extent of deactivation as identified in the access management plan must take into consideration the period that regular use of the road is to be suspended, and the risk to other resources.

Information must be posted to advise road-users of hazards that may be expected due to deactivation.

Particular attention must be paid to stream-crossing areas to ensure water quality during and after the deactivation process.

Di Stefano, Zidane back Mourinho after Madrid loss

MADRID (AP) — Former Real Madrid greats Alfredo di Stefano and Zinedine Zidane came out in defense of coach Jose Mourinho on Friday following another disappointing loss to Barcelona.

Mourinho was widely criticized for his defensive tactics in Wednesday's 2-1 Copa del Rey loss, which was exacerbated by Pepe's stamp on Lionel Messi's hand.

Di Stefano said in his weekly column for Marca newspaper that placing the blame on the Portuguese coach was akin to a "bad joke."

"Mourinho grows in the face of great challenges, he's brave like a Real Madrid coach should be," Di Stefano wrote on Friday. "The errors can be corrected."

Zidane, who is the Madrid sporting director, backed Mourinho's decision to play Pepe in midfield in front of a physical backline that included Hamit Altintop and Ricardo Carvalho, calling much of the criticism unjust.

"Of course a club like Madrid needs to show elegance, but in this moment, against an extremely complicated rival, you have to create the conditions for victory," the former France midfielder told AS sports daily. "An attack on Mourinho and the players is an attack on Madrid."

Zidane, who travels with the team and is involved with Mourinho's technical staff, also backed Pepe, whose negative reputation for overly aggressive play was bolstered after Wednesday's match. Pepe apologized to Messi on Thursday, saying he did not intentionally step on the Barcelona player's left hand.

"He's a lovely guy, a well-educated person," Zidane said of the Portugal defender. "But when he jumps onto the field he becomes obsessed with winning and that desire causes him to commit errors. Sometimes he's right on the limit."

Madrid travels to Barcelona's Camp Nou for the return leg of the quarterfinal on Wednesday.

Autopsy inconclusive for boy found buried in park

A preliminary autopsy failed to determine the cause of death of a young boy whose body was found buried in sand in a public playground.

"There were no obvious signs or cause of death," Albuquerque police spokesman John Walsh said Saturday after receiving the autopsy results from the state Office of the Medical Investigator.

Blood and toxicology tests were still pending, as were other advanced techniques that could yield clues as to how the unidentified boy died. It wasn't clear when they would be complete.

The body of the 3- to 5-year-old boy was discovered Friday by a woman who had taken her own children to the city's Alvarado Park and spotted a shoe sticking out of the sand.

Stuffed teddy bears, toy trucks and flowers were placed as a makeshift memorial at the base of the playground equipment at Alvarado Park where the boy was found.

About 50 police investigators went door-to-door Saturday asking neighbors for help in identifying the boy but came up empty-handed, Walsh said.

Albuquerque Police Chief Ray Schultz said Friday his department hadn't had any reports of missing children in the 24 hours before the body's discovery.

Forensic experts who exhumed the body told police that the boy could not have been dead longer than 48 hours, Walsh said.

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Associated Press Writer Bob Christie in Phoenix contributed to this report.

Homeless hard hit in Eastern Europe cold spell

KIEV, Ukraine (AP) — Dozens of homeless people have died in an Eastern Europe cold snap, and some analysts blame a Soviet-era legacy of viewing the homeless as those who need to be punished instead of helped.

Temperatures have plunged to minus 27 C (minus 17 F) in some areas. At least 58 people have died overall in the past week, while hundreds have sought medical help for hypothermia and frostbite. Snow and ice have disrupted traffic and power in some parts.

Ukraine has been among the hardest hit countries. As many as 30 people have died on its snow-covered streets, in hospitals and in their own homes in the past four days. Authorities said most of the victims were homeless, and that some victims had been drinking and unaware of the danger.

In one village in the Cherkasy region in central Ukraine, a 44-year-old alcoholic fell asleep on the porch of her house and froze to death, said Olena Didyuk, spokeswoman for the Emergency Situations Ministry.

Ukrainian authorities have set up hundreds of 'heating centers' across the country — large green or beige tents — in which the homeless can get warm and are offered sandwiches, boiled potatoes, pork fat (a traditional Ukrainian dish), hot tea and coffee.

Still, more than 540 people have been hospitalized with hypothermia and frostbite, Ukrainian health officials said. Ukraine's 1+1 channel broadcast footage of a man being treated for frostbite in his toes, which had turned completely black.

"I drank and fell asleep on the bench. I woke up in the middle of the night and couldn't feel my feet," the unidentified man said from a hospital bed.

Hospitals were instructed to refrain from discharging homeless patients even if treatment was finished to save them from the cold, said Svitlana Tikhonenko, spokeswoman for the Health Ministry.

Those measures helped save some lives, she said. Two years ago, 47 people perished over a similar time period during a cold wave.

"Unfortunately, people continue to die, but we are taking all the measures to prevent them," Tikhonenko said.

Some experts suggested that the high death toll from the cold is linked to authorities' unwillingness and incompetence in dealing with the homeless.

Pavlo Rozenko, an expert on social policy with the Kiev-based Razumkov Center, said that Ukrainian authorities suffer from the Soviet legacy of viewing the homeless as alcoholics, drug addicts and do-nothings who need to be punished and locked away from society instead of helped.

"The country doesn't know yet how to take care of its homeless," Rozenko said.

Kiev municipal head Oleksandr Popov ordered city schools and colleges closed starting Wednesday as temperatures are expected to drop to minus 28 C (minus 18 F). "They will be on a break at least until Monday," Popov said on his website.

In Poland, five people died of hypothermia in the last 24 hours, bringing the death toll from the cold to 15 in the last four days, the national police said.

Temperatures sank Tuesday to minus 27 C (minus 17 F) in the southeastern Polish city of Ustrzyki Gorne — and forecasts predicted minus 29 C (minus 20 F) in the region overnight.

In Romania, two people died in the past 24 hours due to the frigid weather, the health ministry said Tuesday, bringing the total to eight since the cold spell began last week. Temperatures plunged to minus 20 C (minus 4 F) overnight in Bucharest.

In Russia, one person died of the cold in Moscow, where temperatures fell to minus 21 C (minus 6 F), the city's health department said. The Russian Emergencies Ministry is not reporting deaths across the country yet.

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Monika Scislowska from Warsaw, Poland, Alison Mutler in Bucharest, Romania, and Nataliya Vasilyeva from Moscow contributed to this report.

среда, 7 марта 2012 г.

One for All

JUSTIN SPRING ON ISMAIL MERCHANT

FEW OF THE TRIBUTES written about Ismail Merchant-the producer half of the well-known Merchant-Ivory partnership, who died last year at age sixty-eight-have done more than celebrate his charismatic personality and his uncanny business acumen. While everyone is familiar with Merchant Ivory Productions' meticulous adaptations of classic English and American novels, such as The Bostonians (1984), A Room With a View (1985), and The Remains of the Day (1993), and while early Merchant-Ivory films like Shakespeare Wallah (1965) and The Guru (1969) have rightly developed their own cult following, hardly anyone seems to be aware of the extent to which Merchant Ivory Productions' forty-six films show evidence of Merchant's creative input, nor of the fact that he occasionally directed as well as produced.

The depth and significance of Mechant's creative contribution to Merchant Ivory Productions is best exemplified by the first feature film he directed: In Custody (1994), based on the 1984 novel by Anita Desai. The story revolves around a poor Hindu schoolteacher (played by Om Puri) who becomes devoted to a dying Muslim poet (Shashi Kapoor) and his transcendently beautiful Urdu poetry. The plot hinges on the relation of two languages: For though closely related to Hindi, Urdu is written in a Persian script and carries with it a different set of cultural connotations. Urdu came to be used by the noble and educated classes under the Mughal empire, and its poetry was celebrated in ghazals, devotional love poems accompanied by music-an art that today is in decline. In Custody is in Hindi, and incorporates Urdu poetry by twentieth-century poet Faiz Ahmed Faiz set to tabla and sarangi music by Zakir Hussain and Ustad Sultan Khan, giving even a non-Urdu-speaking audience a sense of the ghazal's extraordinarily expressive power as an art form. While familiar to any educated Indian, the cultural complexities underlying the plot may be new to most Western viewers and are mirrored in the film's equally complex, decidedly non-Western visual aesthetic, which embraces the haphazard quality of everyday life in India. Shot in Bhopal (nine years after the Union Carbide chemical disaster), Merchant's film has a mood, texture, and composition that is disarmingly vital and colorful, blending the many sights, sounds, and traditions of India into one great untidy whole. An elegiac comedy that deals with cultural and personal decline and loss, the film ends on an uplifting note, as the lowly Hindu schoolteacher is entrusted with the dying Muslim poet's final manuscript.

Born Ismail Noormohammed Adu Rehman, Merchant grew up in a devout Muslim home in Bombay (now Mumbai) and was fascinated with that city's film industry. As a young man he was befriended by the film star Nimmi and thereby gained access to Bollywood's overheated inner world. He was also interested in Urdu language and literature, particularly the realistic early novels of Munshi Premchand. After arriving in New York, Merchant discovered the films of Indian director Satyajit Ray, and his passion for the filmmaker (one shared by director James Ivory) probably derives from Ray's own affinity for Premchand's style of storytelling. (In fact Ray's films Shatranj Ke Khilari [The Chess Players, 1977] and Sadgati [Deliverance, 1981] are both based on tales by the author.) When Merchant and Ivory made their first feature, The Householder (1963), based on the 1960 novel by Ruth Prawer Jhabvala, who became the screenwriter for many of their films, they hired Ray's cinematographer, Subrata Mitra, and asked Ray himself to edit the film and compose its sound track. Merchant's devotion to Ray's work was such that, later in life, he arranged for the Merchant and Ivory Foundation to restore and strike new prints of nine of Ray's films, in collaboration with the Academy of Motion Picture Art and Sciences, and release them through Sony Pictures Classics in North America.

Merchant's lifelong commitment to the promotion of Indian culture resulted in his being awarded the Padma Bhushan in 2.002., the Indian equivalent of a knighthood or Presidential Medal of Honor. With good reason: Twenty-one of Merchant-Ivory's fortysix films concern India and the Indian diaspora, including documentaries such as Helen: Queen of the Nautch Girls (1973), a profile of a Hollywood dancer who appeared in more than five hundred films, and the docudrama The Courtesans of Bombay (1983), which presages such later looks at the Indian demimonde as Salaam Bombay! (1988) and Born into Brothels (2004). He was one of the only people to collect rare, disintegrating early-twentieth-century film footage of special occasions, such as wedding processions and state visits, from the former Royal Courts of Rajasthan, preserving these extraordinary images and donating them to the national film archives in Pune, India, and London. The same footage inspired Jhabvala to write the Merchant Ivory Productions drama Autobiography of a Princess (1975), starring James Mason and Madhur Jaffrey. Later in his career, independently of both Ivory and Jhabvala, Merchant directed two other films: Cotton Mary (2000), which considers the ambiguous status of half-caste Indians in post-Raj Kerala, and The Mystic Masseur (2002), based on V. S. Naipaul's first novel about West Indians of Indian descent in 19505 Trinidad.

Fluent in both Urdu and Hindi, Merchant easily moved through all levels of Indian society. With Ivory, a documentary filmmaker from California, and Jhabvala, a writer born into a German-Jewish family who was educated in the United Kingdom and married to a Parsi architect, Merchant created a studio whose vibrant forty-year crosscultural collaboration resulted in a substantial and widely recognized body of work. But the struggle to finance independent filmmaking of vision and daring is considerable, and the stress that Merchant experienced in his effort to do so almost certainly undermined his health. Hopefully the subtle creative influence he exerted on so many of the films of this legendary partnership will one day be recognized. In the meantime, In Custody stands as a demonstration not only of his creative talents but also of his vision that the love of art, joined with the desire to protect and preserve it, transcends all social, religious, ethnic, and cultural boundaries.

[Sidebar]

lsmail Merchant (center), with Om Puri and Neena Gupta on the set of In Custody (1994), Bhopal, India, 1993. Photo: Derreck Sanini.

With James Ivory and Ruth Prawer Jhabvala, Merchant created a studio whose vibrant forty-year cross-cultural collaboration resulted in a widely recognized body of work.

[Author Affiliation]

JUSTIN SPRING IS A WRITER AND BIOGRAPHER BASED IN NEW YORK.